The Bernie Fry collection consists of a short claymation film shot on 16mm film as part of his senior Bachelor of Fine Arts thesis in 1980. It illustrates his views on how political and religious differences separate peoples into tribes who build walls to divide themselves from each other.

Morton & Millie Goldsholl ran Goldsholl Design & Film Associates, one of Chicago’s leading graphic design studios in the 1950s through 1970s. The studio became recognized for their animations, progressive hiring practices and developing corporate branding packages for various companies. Their collection, donated to CFA in 2006 and 2010, contains commercials and industrial films that Goldsholl Associates made for their clients, experimental films and animations made by both Morton and Millie, unedited travel films shot by Morton and Millie and films (primarily animated) that the two collected over the years.

The Byron Grush Collection contains experimental and animation films made by Chicago filmmaker and animator, Byron Grush. Byron has ties to numerous local universities and organizations including the School of the Art Institute of Chicago, Chicago Academy of Fine Art, Goldsholl Design Associates, and Center Cinema Coop. This collection’s experimental films consist of hand drawn animated works and abstract short films, made primarily between the years 1961 and 1976. Films by other local filmmakers and artists are included in this collection. Also found in this collection are: an original drawing from Byron's film Why We Fight, a signed copy of The Shoestring Animator, newspaper clippings of Byron’s work, and other ephemera.

The Larry Janiak Collection contains experimental films and documentaries made by Chicago filmmaker, animator, and designer, Larry Janiak. The experimental films in the collection consist of direct animated works (DL1, DL2) and a handful of abstract short films, or "sketches," made by Janiak between the years 1960 and 1970. Also included in the collection are three documentary works. Two of these documentaries depict structures and ceremonies of the Vivekananda Vedanta Society of Chicago (Hale House, Vedanta Temple Dedication Ceremony), while the third documents Janiak's time as an animation instructor at the Institute of Design (Animation Film Making: A Teaching Method at the Institute of Design in Chicago 1968 to 1980). The collection also contains two boxes of books, personal papers and various ephemera, including two Chicago International Film Festival Hugo awards, various books on underground film & animation, graphic design samples by Janiak and three Center Cinema Co-op distribution catalogs designed by Janiak.

The Franklin McMahon collection consists primarily of audio recordings of significant political and social events from the 1960s, 70s and 80s. These recordings include interviews, political speeches, and environmental audio captured on location at Democratic and Republican National Conventions in the 1960s and 70s. McMahon’s subjects include Richard and Pat Nixon, Walter Cronkite, Jane Fonda, Abby Hoffman, Studs Terkel, Jesse Jackson, Ralph Nader, Hubert Humphrey, Ted Kennedy and Edmund Muskie. Capturing reflections on the major political events and socio-cultural issues of the time, including the Vietnam War and Women’s Liberation Movement, McMahon’s audio recordings provide a rich, acoustic record of a tumultuous period in American history. The collection also contains a few films, including one on the “Chicago Seven” conspiracy trial.

The Somersaulter-Moats and Somersaulter collection consists of 16mm films produced by Chicago filmmakers JP Somersaulter and Lillian Somersaulter Moats. The films in this collection are predominantly short, animated films that were written, directed and illustrated by Lillian and JP. These include experimental films for adults as well as adapted and original fairytales for children.