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Collection: REMC Collection
The Camille Cook Collection consists of outtakes, work prints, original negatives, collected films, home movies, and edited diary films of the experimental and personal work of Camille Cook, filmmaker and founder of The Film Center of the School of the Art Institute of Chicago (now The Gene Siskel Film Center). The films depict various aspects of Cook’s life in Chicago throughout the mid 1960s, ranging from images of city street life to moments with her friends and family in Western Springs, IL, as well as her experiments in structural filmmaking.
Identifier: F.2004-02-0033
Collection: Jack Behrend Collection, 1932-2001
Identifier: F.2010-02-0140
Collection: Rhodes Patterson Collection, 1937-1979
The Benjamin Gasul Collection includes 5 reels of 16mm home movies shot by a well-respected Chicago area pediatrician, Dr. Benjamin M. Gasul. The films date from 1936 to 1940 and include footage of Brookfield Zoo and trips to Mackinac Island, Niagara Falls, Cuba, Miami, New Orleans and the 1939 New York World's Fair.
Identifier: F.2010-01-0334
Collection: Mort and Millie Goldsholl Collection, 1942-1980
The Film Group was a Chicago commercial film production company that made television commericials and political documentaries in the late 1960s/early 1970s. This collection includes original prints and preservation elements of their political documentaries on the 1968 Democratic National Convention including AMERICAN REVOLUTION II and the educational series URBAN CRISIS AND THE NEW MILITANTS. Filmmakers associated with the Film Group include Mike Gray, William Cottle, Howard Alk, Mike Shea, and Chuck Olin.
Identifier: F.2005-01-0132
Collection: Margaret Conneely Collection, 1902-2007
Identifier: F.2005-01-0110
The JoAnn Elam collection primarily consists of films made by independent filmmaker JoAnn Elam. Elam primarily shot on 8mm film, although she did work extensively with 16mm, Super-8mm film and early video. A number of 8mm films have been printed to Super-8mm stock, and films like Rape (1977) and the unfinished Everyday People employed multiple formats (16mm, video, and 8mm). This collection also contains several historically important medical films made by James O. Elam, M.D., JoAnn Elam's father, which document his development of the "rescue breathing" technique and numerous other advances in clinical anesthesiology and cardiopulmonary resuscitation. Additionally, there are at least two titles by experimental filmmakers and artists Dan Perz and Ruth Klasses. This collection is sponsored by Susan Elam, Kenneth Belcher and Sandy Ihm.
Identifier: F.2010-01-0211
Collection: Mort and Millie Goldsholl Collection, 1942-1980
The LaRue Collection consists of films and film technology made and collected by two generations of Chicago-based motion picture engineers, Mervin W. LaRue Sr. and Jr. The elder LaRue filmed news subjects for Pathé in Canada before moving to Chicago to work for Bell & Howell and later establish a medical film business. His films include a mix of home movies from Toronto and Chicago, medical films depicting experiments in obstetrics and anesthesia, and Burton Holmes travelogues of Ethiopia, Bali, and Holland. A VHS copy of the film Those Roos Boys and Friends (1987), directed by Barbara Boyden, is included, featuring LaRue and his colleagues Charlie and Len Roos in Canada. The younger LaRue was also an engineer at Bell & Howell, as well as for Ampex in the 1960s. His films include home movies that show the family at home in then-unincorporated North Barrington, IL, celebrating birthdays and weddings, and traveling to Iowa and Colorado. Also included in the collection is a 16mm projector equipped with a lenticular lens to project Kodacolor.