The Film Group was a Chicago commercial film production company that made television commericials and political documentaries in the late 1960s/early 1970s. This collection includes original prints and preservation elements of their political documentaries on the 1968 Democratic National Convention including AMERICAN REVOLUTION II and the educational series URBAN CRISIS AND THE NEW MILITANTS. Filmmakers associated with the Film Group include Mike Gray, William Cottle, Howard Alk, Mike Shea, and Chuck Olin.

The Franklin McMahon collection consists primarily of audio recordings of significant political and social events from the 1960s, 70s and 80s. These recordings include interviews, political speeches, and environmental audio captured on location at Democratic and Republican National Conventions in the 1960s and 70s. McMahon’s subjects include Richard and Pat Nixon, Walter Cronkite, Jane Fonda, Abby Hoffman, Studs Terkel, Jesse Jackson, Ralph Nader, Hubert Humphrey, Ted Kennedy and Edmund Muskie. Capturing reflections on the major political events and socio-cultural issues of the time, including the Vietnam War and Women’s Liberation Movement, McMahon’s audio recordings provide a rich, acoustic record of a tumultuous period in American history. The collection also contains a few films, including one on the “Chicago Seven” conspiracy trial.

Spanning 5 decades and a wide range of subjects and styles, the Rhodes Patterson Collection documents the rapidly developing city of Chicago during the mid-century and the fascinating life of Rhodes Patterson, a designer, cinematographer, photographer and writer. Patterson’s diverse subject matter and style reflect the interconnected communities of industrial and graphic design, commercial and industrial film production, fine art, and architecture in Chicago during this period. Whether made “just for fun,” as documentation, or for commercial purposes, Patterson’s films reflect his humor, interest in art and design, imagination and creativity. The collection includes footage of Mae West from 1938; numerous films Patterson shot while stationed as a WWII reconnaissance photographer on the Island of Tinian; the construction of the Marina City Towers, Playboy building and various skyscrapers in Chicago; films made during the early development of the Aspen Institute; commercial footage shot while Patterson was working at the Container Corporation of America; documentation of the construction of the Playboy West complex and grotto; early Playboy footage and burlesque films; footage of Lincoln Park, Lake Michigan and people on the streets of Chicago; and various home movies, commercial projects, and amateur and personal films.