We’re so thrilled to announce the amazing lineup of artists participating in this year’s CFA Media Mixer event. Now in its sixth year (!!!), the Media Mixer has grown to be one of our most anticipated and exciting public programs. The project began in 2012 as a way to open up our vault of archival footage to Chicago-based contemporary artists and support the creation of a new video work by pairing these visual artists with local sound artists and musicians.
This year’s artists are (video + sound):
The evening will be hosted by Alison Cuddy, and former Media Mixer artist Latham Zearfoss will be our guest DJ!
At the heart of the project is a desire to give our archival collections new life through the creative interpretation of a new generation of makers. Last month our three visual artists sent in prompts and ideas for their projects, and we pooled our knowledge of CFA’s collections to load them up with source footage (including rarely seen gems and a few staff favorites!). They are just starting to work on editing their pieces and are already in conversation with the three talented and diverse audio artists they have been paired with.
On June 8 you’re all invited to the Hideout to celebrate the world premiere of their collaborations and benefit your favorite Midwest film archive! Tickets can be purchased here. It’s CFA’s Media Mixer 2017!
More on this year’s artists:
Eric Fleischauer is a Chicago-based artist, curator, and educator. Working across various mediums Fleischauer utilizes conceptually–driven production strategies in order to examine the ramifications of technology’s expansive influence on both the individual and cultural sphere. His work has been exhibited internationally at venues including The Museum of Contemporary Art Chicago, Interstate Projects, Rooftop Films, Microscope Gallery, Hallwalls, Corcoran Gallery of Art, the Kunstmuseum Bonn – with solo exhibitions at Document, threewalls, and the Gene Siskel Film Center. Fleischauer’s projects have received critical acclaim in publications such as in artforum.com, The Chicago Reader, The Washington Post, rhizome.org, and Afterimage. His work is in the collection of the Museum of Contemporary Photography. Currently he is an Adjunct Assistant Professor in the Department of Film, Video, and New Media at the School of the Art Institute of Chicago. http://ericfleischauer.com/
Matchess is the solo work of musician Whitney Johnson. The project considers the reproduction of sound and meaning through a range of historical material processes, including live tape looping, cassette sampling, and field recording. With the limited palette of a 1960s Ace Tone organ, viola, analog drum machine, stereo reel-to-reel, and voice, she crafts qa sound collage of ephemeral songs on a surface of droning ambient noise. Matchess invokes music of the past, including musique concrète, komische, and early electronic experiments, while also referencing texts of the past, including symbolist poetry, science fiction metanarrative, and her own lyrical technique of the sigil mantra. In addition to her solo work, Matchess collaborates widely in Chicago with such artists as Circuit des Yeux, Gel Set, TALsounds, and many others. http://matchess.tumblr.com/
Samantha Hill is a transdisciplinary artist from Chicago with an emphasis on photographic archives. She utilizes archives as source material for multi-media installation projects to connect an individual’s experience to historic developments within regional culture. Hill participated in exhibitions at the Anchorage Museum, Mary & Leigh Block Museum, Hyde Park Art Center and McColl Center for Art & Innovation. She is a recipient of International Sculpture Center Award, Rasmuson Foundation Artist Residency Program and Philadelphia Sculptors Award. Hill’s work is also featured in the book Problematizing Public Pedagogy, published by Routledge Press. Her latest endeavor, the Kinship Project, is an archive of over 150 years of African American family photographs, artifacts and ephemera ranging from 1839 to 2012. https://samanthahill.net/
Since 2005, Chicago-based experimentalists Haptic (Steven Hess, Joseph Clayton Mills, and Adam Sonderberg) have explored the intersection between composition and improvisation in concerts, installations, and a string of critically acclaimed recordings. They often work with filmmakers, dancers, and other artists in projects that cross traditional boundaries between music, sound, literature, visual art, performance, and everyday life. http://entracte.co.uk/haptic
Marianna Milhorat is a Chicago-based filmmaker, originating from Vermont, USA. She received her MFA from the University of Illinois-Chicago in 2012 and BFA from the Mel Hoppenheim School of Cinéma at Concordia University in 2007. Working in film and video, she utilizes landscape and duration to disrupt and transform notions of space and perspective. Milhorat’s work has screened internationally at festivals and galleries, including the International Film Festival Rotterdam, the Ann Arbor Film Festival, and the Museum of Contemporary Art- Chicago. Her work has received awards at festivals including the Images Festival, EXIS (Ex-Now), and the Chicago Underground Film Festival. http://mariannamilhorat.com/
Brian Kirkbride is a musician, sound artist, and software developer whose cross-disciplinary practice integrates field recordings, synthesizers and found sound through conceptually-driven processing. Inspired as much by the marvels of the natural world as the underbelly of the human one, his work has generated the sounds of birdsong from photographs of ferns and drowned excerpts of post-World War II travelogues under waves of overdriven 80s pop melodies. He was delighted to learn that “cat ghost revenge story” represents an entire genre of Japanese film. With his partner, artist Jenny Kendler, Kirkbride has collaborated on several large-scale sound art and data-driven projects, which have been exhibited at the Museum of Contemporary Art Chicago, EXPO Chicago, the Lincoln Park Conservatory for Experimental Sound Studio and at Millennium Park for the Arts Club of Chicago and Art Institute of Chicago. Kirkbride founded the artist website service OtherPeoplesPixels and co-founded the OPPfund, which supports the arts, social justice and environmental preservation. He occupies a leadership role in ClimateMirror, an effort to protect at-risk climate data from an anti-science administration, and is currently working on a collaborative art + tech project centered around this work. http://internalsummer.com/home.html
We hope to see you on Thursday, June 8th at the Hideout! Please check out our event page for more information about the event, raffle prizes, and to purchase tickets!