The entire Baker collection was shot by commercial artist Jack Baker on 8mm film between the 1940s and 80s, with the exception of one 16mm film of unknown origin. The collection consists of in-house industrial films Jack made for work and home movie footage he took of his wife and two kids. The films he made on the job consist of downtown Chicago scenes, an American Can Company plant and trips to Milwaukee, New Orleans, and New York City. The home movies include suburban construction, numerous children's birthday parties, a few Christmas celebrations, an adult Halloween party, a Cubs game and trips to the Indiana dunes and Wisconsin's Lake Geneva.
This collection of films was made by filmmaker DeWitt Beall in Chicago during the 1960s. A large portion of the collection consists of elements and prints related to LORD THING, a film about a Chicago-based gang named the Conservative Vice Lords. The film was never released, but won an award at the Venice Film Festival in 1971. Various other educational films, documentaries and PSAs are in this collection, including the EARTHKEEPING series which aired on PBS in the early 1970s.
This collection of films was compiled by Jack Behrend who owned a camera equipment rental house and worked as a professional industrial filmmaker from the 1950s until the 1990s. Included in this collection are 13 reels of raw footage from an unfinished documentary of historical inns of America and time lapse footage of Grant Park, the Equitable Building and Lake Point Tower as they were being constructed. The collection includes industrial films about steel foundries, the making of railroad wheels and a film about the teachers' strike at Niles North in the 1970s. Also within this collection are films made by Gordon Weisenborn, a Chicago filmmaker who gave his films to Jack Behrend before his death. Behrend has donated the prints and rights of his films and those of Gordon Weisenborn to CFA. He has also donated 52 prints made by the National Film Board of Canada.
This collection contains the preserved and restored archival materials from 7 original 35mm nitrate reels discovered in the Valparaiso University Special Collections Library by Judith Miller. They are moving image documents of THE PICTORIAL STORY OF HIAWATHA, a live pageant performed in Desbarats, Ontario by the Garden River Ojibway community in 1902 - 1903. Clearly there are reels of the pageant that are missing. Katharine and Charles Bowden filmed this pageant so they could screen the moving images as part of their Chautauqua Lecture Circuit presentation of the same name.
The Chicago Public Library film collection is Chicago Film Archives' (CFA) founding collection. CFA formed in order to care for this collection of about 5,000 16mm films that the library no longer could keep. The collection contains a broad sweep of genres. A large number of films are educational and travel films, but there are also silent films, foreign and American-made theatrical films, documentaries, industrials, newsreels, sports events and children's films. Together these films comprise a rich snapshot of an educational and cultural pathway the City of Chicago built for its citizens during the mid twentieth century.
The Margaret Conneely Collection contains the films and papers of Margaret Conneely, a prolific and respected Chicago amateur filmmaker. The collection includes medical films she made as a cinematographer for Loyola University, story films she made with other local hobbyists and professional filmmakers, films made by other amateur filmmakers such as Carl Frazier and Nora Rafferty, and commerical films that she collected. Four of her films have been preserved by the National Film Preservation Foundation and The Women's Film Preservation Fund. The papers include a wealth of correspondence between Conneely and other amateur filmmakers, documents and publications from amateur film and photography associations, as well as photographs of Conneely and other filmmakers.
This 16mm home movie collection documents the Cring family of St. Louis, Missouri. Highlights of the collection include its railroad footage, Brentwood High School football games, an entertaining teenage dance party and a rare glimpse of Charles Lindbergh at a Mexican bull fight. This collection is sponsored by Susan Hayes.
This collection of mostly 16mm films are primarily travelogues created from the late 1940s until the 1990s. Places that are filmed include: Iceland, Thailand, Belgium, Ireland, Tunisia, Australia, New Zealand, Mexico, Yugoslavia, Sicily and Alaska. The collection also contains a few amateur short films or musical productions and a handful of educational films. Additionally, the collection contains scrapbooks, photos and other ephemera that describe the Davis' career.
The Russ and Sylvia Davis Collection contains 16mm film prints and elements produced by the couple's production company, IWF Inc. The majority are from a syndicated wrestling television show from the 1950s that included wrestlers such as Verne Gagne, Gorgeous George, and Lou Thesz. Russ was a pioneering TV personality in the Chicago broadcast area at WBKB-TV. Sylvia worked as president of their company and a producer on a number of Russ' shows.
The Ron Doerring Collection contains numerous award-winning amateur films made in the Midwest by members of the Society of Amateur Cinematographers. The majority of the films in the collection were made by John and Evelyn Kibar, a husband and wife filmmaking team from Racine, Wisconsin. The Kibar’s films include travelogues, documents of historical reenactments, and polished, often humorous, amateur shorts. The collection also contains amateur works by other members of the Society of American Cinematographers including Billy Meers, Will Marshall, George Ives, Sidney Moritz and two experimental films by Sol Falon.
The David Drazin Collection contains both commercial prints that were created for the home market and home movies that were made at the Holy Family Academy school in Chicago between 1939 and 1946. The commercial films include educational films, a Dick Tracy cartoon, and Charlie Chaplin’s 1916 short “Behind the Screen.” The Holy Family Academy was an all-girls Catholic school on Chicago’s north side, and the home movies document nuns and young girls playing outside and on various outings in and around Chicago, as well as seasonal dance recitals.
Susan Elam - Preservation Patron
Kenneth Belcher and Sandy Ihm - Preservation Sponsors
Susan Elam - Preservation Patron
Kenneth Belcher and Sandy Ihm - Preservation Sponsors
The JoAnn Elam collection primarily consists of films made by independent filmmaker JoAnn Elam. Elam primarily shot on 8mm film, although she did work extensively with 16mm, Super-8mm film and early video. A number of 8mm films have been printed to Super-8mm stock, and films like Rape (1977) and the unfinished Everyday People employed multiple formats (16mm, video, and 8mm). This collection also contains several historically important medical films made by James O. Elam, M.D., JoAnn Elam's father, which document his development of the "rescue breathing" technique and numerous other advances in clinical anesthesiology and cardiopulmonary resuscitation. Additionally, there are at least two titles by experimental filmmakers and artists Dan Perz and Ruth Klasses. This collection is sponsored by Susan Elam, Kenneth Belcher and Sandy Ihm.
The Film Group was a Chicago commercial film production company that made television commericials and political documentaries in the late 1960s/early 1970s. This collection includes original prints and preservation elements of their political documentaries on the 1968 Democratic National Convention including AMERICAN REVOLUTION II and the educational series URBAN CRISIS AND THE NEW MILITANTS. Filmmakers associated with the Film Group include Mike Gray, William Cottle, Howard Alk, Mike Shea, and Chuck Olin.
The Richard J. Finnegan collection is a series of home movies, travelogues and amateur shorts shot by Chicago Sun-Times editor Richard J. Finnegan between 1929 and 1953. Many of the films in this collection creatively meld narrative inter-titles with non-fiction footage, and employ cinematic conventions such as slow motion and narrative-style editing. Subject matter spans trips to Yellowstone, Eureka, Bermuda and various parts of Northern and Southern California, personal films of notable events such as the 1929 Olympics in Los Angeles, and "classic" home movie family films of vacations, holidays and events, including birthday parties, baptisms, a wedding, Christmas and Halloween celebrations.
The Robert Ford Collection consists of four short films made by Robert Ford while he was living in Chicago in the 1960s. Ford was a student at Northwestern University, and the collection includes a film made while he was a graduate student, “The High Up Doll,” a whimsical look at childhood desire that includes both live-action and collage animation techniques. Ford’s three subsequent films were produced with the assistance of Northwestern University and examine subjects including the Chicago Vice Lords street gang in “The Corner,” the rehabilitation of individuals with physical disabilities in “The Way Back,” and homing pigeon racing in "The Homing Pigeon."
This black and white 16mm film depicts the leisure activities of an affluent family on Chicago's north side. Scenes include a grandiose building that is possibly the Edgewater Beach Hotel and a football game at University of Chicago.
The Benjamin Gasul Collection includes 5 reels of 16mm home movies shot by a well-respected Chicago area pediatrician, Dr. Benjamin M. Gasul. The films date from 1936 to 1940 and include footage of Brookfield Zoo and trips to Mackinac Island, Niagara Falls, Cuba, Miami, New Orleans and the 1939 New York World's Fair.
The Glick-Berolzheimer Collection contains home movies by Diane Berolzheimer's father Jacob Glick from the mid 1930s through the early 1960s. It also includes home movies made by Diane and her husband Karl Berolzheimer from the mid 1950s through the mid 1970s. The home movies in this collection depict the leisure activities of the larger Glick/Berolzheimer family, rituals of Jewish life, and numerous fishing trips by Mr. Glick.
Morton & Millie Goldsholl ran Morton Goldsholl Associates, one of Chicago’s leading graphic design studios in the 1950s. The studio became recognized for their animations, progressive hiring practices and developing corporate branding packages for various companies. Their collection, donated to CFA in 2006 and 2010, contains commercials and industrial films that Goldsholl Associates made for their clients, experimental films and animations made by both Morton and Millie, unedited travel films shot by Morton and Millie and films (primarily animated) that the two collected over the years.
The David Gray Collection contains home movies shot by Uriel Hadley of St. Louis, Missouri. Highlights include footage shot at the Chicago World’s Fair (A Century of Progress International Exhibition) in 1933-34, the St. Louis Botanical Gardens and holiday celebrations with the family. Hadley worked for Eastman Kodak and he often shot these home movies on or with the latest technology being developed by the company.
This collection of the Felton family home movies were shot between 1936 and 1957 by Susan Gray's father, Robert Felton. The films contain scenes of vacations, family leisure time and documentation of Robert Felton's hobby as a deep sea fisherman. The collection also includes two compiled reels of short 8mm commercial releases for home use, including Disney animations and a sports review titled "Sports Beams: Touchdown Thrills of 1948".
The Julian Gromer Collection includes 15 travelogues and related papers by filmmaker Julian Gromer. The films depict his travels to Cuba, Nigeria, around Lake Michigan, Hawaii two months before Pearl Harbor, Canada, up the Amazon and Hudson rivers, and three films of cross-country cycling. Gromer was represented by the Redpath Bureau and co-owned Ralph Windoes Travelogues, Inc. His work is representative of post-World War II travelogue lectures that were exhibited in a variety of non-theatrical venues.
These films contain folksingers performing at the Earl of Old Town in Chicago. It has been speculated that Ed Holstein is one of the singers.
This collection includes ethnographic films produced or shot by the pioneering visual anthropologist, Paul Hockings. It covers films shot by Hockings as part of his reasearch on the Badaga people in the Nilgiris Hills in India; THE VILLAGE shot in western Ireland, on which Hockings was the consulting anthropologist; and work created under his mentorship at the University of Illinois at Chicago including Susan Stechnij's examination of a Mexican immigrant family, MI RAZA: PORTRAIT OF A FAMILY.
The Cynthia Holmberg Collection consists of 16mm home movies shot primarily by Henry Brooks, Cynthia’s father, and 8mm home movies shot by Cynthia’s husband Ron Holmberg. Ranging from the late 1930s to the mid-1960s, the 16mm films document Cynthia’s childhood and the life of a middle class family living in Chicago. The 8mm home movies document Ron and Cynthia Holmberg’s family and life in the suburbs of Chicago in the 1970s and early 80s. They include various locations around Chicago as well as family trips to Wisconsin, various U.S. National Parks, and Florida.
This collection contains amateur travelogue films and audio reels made by J. Gerald Hooper. Hooper was a member of a local amatuer film club, whose name and location we have yet to identify.
The Mary Heftel Hooten collection includes Super 8mm home movies of vacations she and her husband, William Heftel, took from 1967-1973. The films document trips to Japan, Hawaii, Norway, Antartica, Australia, and the Bahamas. Hooten was a lawyer and Illinois judge. Heftel was a Chicago area realtor.
A home movie collection that documents the Homer Henselt Howard family of Skokie and Glenview, Illinois. Included in the collection are suburban residential scenes shot in Skokie, Illinois, a glimpse inside a Kingsley Stamping Machine factory as well as trips to Los Angeles and Wisconsin's Lake Geneva.
The Ferd Isserman collection consists of 16mm home movies shot primarily in Chicago from the early 1930s through the late 1960s. Documenting leisure time, trips and holidays, highlights from the collection include family visits to the Chicago World’s Fair (A Century of Progress International Exposition) in 1933-34; a legion marching band and USO dedication in Chicago during WWII; the Republican National Convention in Chicago in 1932; the 20th Miss America pageant held at Boardwalk Hall in Atlantic City, NJ in 1946; a trip to San Francisco and Los Angeles in 1946-47; and Thanksgiving celebrations in the 1930s, 1940s and 1968.
The Kinnally collection consists of 16 reels of silent and sound super 8mm and silent 8mm films made and distributed by Chicago filmmaker Tim Kinally. They depict various air shows and re-enactments involving vintage planes and bombers. Included in the collection is a film called Liberators Over Europe: The Crossing of the Rhine March 24, 1945, which appears to be a re-enactment of a wartime crossing of the 44th Bomb Group of the 2nd Air Division of the 8th Airforce and their B-24 Bombers. These air shows take place throughout the United States. Also included in this collection are a number of promotional pamplets and flyers for Timkin Films, located in Tinley Park, and founded by Tim Kinally.
In 2008, three experimental films made by Chicago-based filmmaker Don Klugman were preserved with the support of the National Film Preservation Foundation in 2008. NIGHTSONG is a portrait of the Chicago Near-North nightlife scene in the mid-1960s, centering on the struggles and romantic desires of an African American singer played by long-forgotten folk sensation, Willie Wright. I'VE GOT THIS PROBLEM traces the romantic relationship between a young man and woman (played by Klugman and Judy Harris) who meet in a downtown coffee shop. Their nonstop dialogue fluctuates between playful psycho-babble and sincere attempts to relay their innermost feelings. YOU'RE PUTTING ME ON seems to pick up the same couple (again played by Klugman and Harris) a few years later, as they attend a swinging bohemian party where they pilfer personal objects from the unsuspecting guests. The archival materials created from these three Klugman films comprise the Don Klugman Collection.
Bob Koester, founder and owner of Delmark Records (http://www.delmark.com/), also owns and operates the Jazz Record Mart in Chicago. In 2006, he donated this collection of 16mm Northwestern University football films (1969-1981) to CFA. The films are not entire games, but rather highlights of games and individual players. A long-time film enthusiast himself, Bob Koester acquired these films from a camera collector years ago.
The Charles E. Krosse Collection contains films produced and/or distributed by a Peoria film production company, C.L. Venard Productions, a company that became known for its educational films dealing with agricultural subject matter. The collection contains both 16mm and 35mm films, a number of which may also be titles that Venard employees collected. Included in the collection are promotional and in-house training films made for Caterpillar, a fundraising film made for the city of Peoria, some soft-core erotic shorts, unrelated animated shorts, silent film comedies, and unidentified home movies.
These 8mm home movies document the Kubicek family of Dearborn, Michigan from 1965 to the mid 1970s. When donated to CFA, this collection was accompanied by detailed notes describing the people and places in the films. These notes are uncommonly personal, detailed and are very welcome as part of the collection. They provide a richness and context to the films and to the family seen in them. The films and paper documents in this collection will be invaluable as genealogical traces to coming generations of the Kubicek family.
The Marion Kudlick collection contains home movies and amateur travelogue films shot by amateur filmmaker Marion Kudlick, Sr. Highlights include films shot in Chicago, Poland, western Europe and Mexico during the 1960s, family vacations in Florida, and Boy Scout activities.
The six films in this collection represent the early work of documentary filmmaker and Hollywood cameraman Peter Kuttner. The films include a student film made at Northwestern University, two films he made with students at Dillard University in New Orleans as part of the War on Poverty in 1965, and three kinescopes of shows he made at Chicago's public television station WTTW.
The Bob Link Collection consists primarily of 16mm work prints and camera originals of sailing footage from the 1970s, including sailing scenes near the shores and harbors of downtown Chicago and a sailing race aboard Ted Turner's American Eagle. The Bob Link Collection also includes 1 file folder titled "1977" filled with client correspondence, receipts, budget logs, audience testimonials and polaroid photographs.
The Harry Mantel Collection came to CFA via the University of Chicago and consists primarily of production elements - camera originals, outtakes and numerous magnetic & optical soundtracks. Harry Mantel (1923-2007) was a Chicago cameraman, producer, and journalist. The titles we do have are part of a series named Mantel's Vignettes. Some of the subjects Mantel explores in his Vignettes include a waitress at a former Marina City Towers restaurant, O'Hare air traffic controllers, the various manifestations of fire, square dancing, circus and zoo animals, trees, Irish horses, and an arts and crafts fair replete with many a macrame booth.
Home movies documenting the Marino family of Chicago, Illinois. These home movies of the Marino family were filmed by Joseph and Sadie Marino. They contain images of their children (John and Joanne) and themselves.
Just under four hundred reels, this home movie collection includes over fifty-five reels of birthdays, fifty-four reels of Christmas, twenty-one reels of Easter holidays and nineteen reels of Fourth of July celebrations.The Maugans Collection spans from 1965-1984. It begins with a newly married Indiana couple (Connie and Judy Maugans) in a sparsely decorated mobile home and ends with their eldest daughter, Lisa Maugans, going off to prom. Almost all of the home movies were shot in Indiana, except for family vacations shot throughout the United States.
The McBrien Collection consists of a number of reels of commercial footage and out-takes that were presumably shot for a piece focusing on the legacy and influence of Polish immigrants in the Chicago area. Featuring interviews conducted in 1964 by Polish-American radio and television personality Sig Sakowicz with local Polish-Americans community leaders, these films were most likely shot as a part of a piece Sakowicz was working on for local television broadcast. Highlights include interviews with Polish-American athletes at Comiskey Park and firefighters at the newly constructed Chicago Fire Academy, footage of a young couple on the steps of a church after their wedding, interior shots of medical and dental offices and an industrial factory, and exterior shots of a single-family housing development on Chicago’s Northwest side.
The Franklin McMahon collection consists primarily of audio recordings of significant political and social events from the 1960s, 70s and 80s. These recordings include interviews, political speeches, and environmental audio captured on location at Democratic and Republican National Conventions in the 1960s and 70s. McMahon’s subjects include Richard and Pat Nixon, Walter Cronkite, Jane Fonda, Abby Hoffman, Studs Terkel, Jesse Jackson, Ralph Nader, Hubert Humphrey, Ted Kennedy and Edmund Muskie. Capturing reflections on the major political events and socio-cultural issues of the time, including the Vietnam War and Women’s Liberation Movement, McMahon’s audio recordings provide a rich, acoustic record of a tumultuous period in American history. The collection also contains a few films, including one on the “Chicago Seven” conspiracy trial.
These films were once part of Minnesota State's Memorial Library Collection. The collection includes shorts, features, and educational films whose subjects range from sexual behavior and drug experimentation to the history of dance and design.
The Morrison-Shearer collection is an extensive collection of dance films, most of which were shot by Helen Balfour Morrison. Sybil Shearer and Jerry Lev, a Shearer Company dancer, shot a small number of the films. Most films were shot in Northbrook, IL at Shearer’s dance studio and the surrounding environs that include the neighboring golf course, Green Acres Country Club. Some of the 8mm films were shot in New York City. The collection features solo performances by Sybil Shearer, Shearer with her dance company, interviews with Sybil Shearer and some rehearsal footage.
This collection consists of the orphaned "orphan" films and is named after William O'Farrell, a Canadian moving image archivist and champion of the neglected, lost film and regional archives in general. He was truly instrumental in shaping CFA in its early days. During 2004, O'Farrell, the Chief Moving Image and Audio Preservation Director at the National Archives of Canada, was on leave of absence as he recovered from an illness. He gladly stepped in to give CFA a hand as our fledgling organization found its legs. As humble as they come, O'Farrell was brilliant in every aspect of moving image preservation and in management of a small archive. This collection contains films O'Farrell purchased off of ebay (such as reels documenting 1968 Indianapolis 500 race) as well as Midwest films he wrestled from other collectors' arms to deposit with us. The William O'Farrell collection will become the home of those cast-off films and anonymous donations that from time-to-time come through CFA's doors.
The Chuck Olin Collection is comprised of films made by Chuck Olin from his work at two Chicago area film production companies from the mid-60s to the late 1990s: first with the Film Group/Mike Gray Associates and after 1974 with his own Chuck Olin Associates. Included are political documentaries made by the Film Group on the 1968 Democratic National Convention; television commercials for a variety of clients including Sears, Blue Cross Blue Shield, and politicians running for election; sponsored films for the Art Institute of Chicago, the National Medical Association, and Eli Lilly; educational films for Encyclopaedia Britannica; and a documentary by Olin on the Jewish Brigade in World War II.
This collection documents the dance legacy and artistic circle of choreographer, Ruth Page, named by the Dance Heritage Coalition as one of America’s 100 Irreplaceable Dance Treasures. As the largest collection of moving image materials related to Ruth Page, this is a worthy complement to the vast manuscript collection that resides at the Jerome Robins Dance Division of the New York Public Library and the Newberry Library in Chicago. The collection contains rehearsals and performances that date back to 1922 including footage of Rudolph Nureyev soon after his defection from the Soviet Union, Balinese dances filmed during Page’s 1928 Asian Tour, and performances of The Merry Widow on the Ed Sullivan Show. It also contains the original and master tapes of numerous interviews with dance critics such as Clive Barnes and John Martin, dancers such as Larry Long, Delores Lipinski, Anne Kisselgoff and Maria Tallchief, and a comprehensive series of interviews and oral histories with Page herself that date from 1957 through 1987. Among the dozens of Ruth Page ballets contained in this collection is an original 35mm nitrate print of Bolero danced in 1928 at Ravinia in Highland Park, IL. This collection is sponsored by the National Endowment for the Arts and Gaylord & Dorothy Donnelley Foundation
Spanning 5 decades and a wide range of subjects and styles, the Rhodes Patterson Collection documents the rapidly developing city of Chicago during the mid-century and the fascinating life of Rhodes Patterson, a designer, cinematographer, photographer and writer. Patterson’s diverse subject matter and style reflect the interconnected communities of industrial and graphic design, commercial and industrial film production, fine art, and architecture in Chicago during this period. Whether made “just for fun,” as documentation, or for commercial purposes, Patterson’s films reflect his humor, interest in art and design, imagination and creativity. The collection includes footage of Mae West from 1938; numerous films Patterson shot while stationed as a WWII reconnaissance photographer on the Island of Tinian; the construction of the Marina City Towers, Playboy building and various skyscrapers in Chicago; films made during the early development of the Aspen Institute; commercial footage shot while Patterson was working at the Container Corporation of America; documentation of the construction of the Playboy West complex and grotto; early Playboy footage and burlesque films; footage of Lincoln Park, Lake Michigan and people on the streets of Chicago; and various home movies, commercial projects, and amateur and personal films.
The Steven Poster collection includes the 35mm film, Another Saturday Night, a whimsical portrayal of a weekend night in 1970s Chicago. Also included in the collection are the title's elements.
The filmmaker and the family (or families) depicted in the Howard Prouty Collection are currently unknown. The films were purchased by Howard Prouty at a Los Angeles garage sale in the Carthay Circle Neighborhood (6101 Del Valle Dr.). The majority films were shot in the Midwest from the late 1940s to the early 1960s, and were developed at various camera shops in the northern suburb of Waukegan, Illinois. The collection includes footage of weddings, birthdays, various Michigan boat trips, and most notably, footage from the Korean war and the Chicago's Railroad Fair of 1948-1949.
The bulk of this 16mm & 8mm home movie collection was shot in Dayton, Ohio in the 1950s and 60s, and includes trips to Kentucky's Cumberland Lake and scenes from Put In Bay along the coast of Ohio's Lake Erie. Mr. and Mrs. Quilling also took a trip to Chicago in 1954 for a National Restaurant Association show and brought a camera along with them. They shot footage of Soldier Field and the Buckingham Fountain while driving down Lake Shore Drive, and even shot scenes of the Chicago skyline atop the Drake Hotel.
The Rainbow Productions Collection consists of unedited B-roll footage from three travel films made by filmmaker Dirk Wales, founder and president of Rainbow Productions. Formed in 1972, Rainbow Productions was a Chicago-based industrial production company that specialized in educational, documentary, medical and sponsored films. The footage in the Rainbow Productions Collection was shot by Wales in California, New Orleans, and New England, with the intention of creating a travel series on these regions, but the project was never completed.
The Regional Educational Media Center Association of Michigan (REMC) was founded in 1969, operating through the intermediate school district structure to provide various educational programs and services locally as well as collaborating on statewide programs. This collection consists of 16mm instructional and educational films produced by Coronet, McGraw-Hill, EBE Encyclopaedia Britannica Educational Corporation and multiple other production companies. These films span diverse subject matter including but not limited to health and safety, science, history, geography, social guidance and youth, and would have been available to teachers for classroom use.
The Roland Rives Collection consists of three films documenting Dartmouth College students on a Cunard Line European tour in the 1920s. These films feature scenes shot on the Cunard ocean liner, as well as various destinations in western Europe. The fourth film in the collection, “The Cunard Line Oceanews,” is a promotional film that showcases various features and attractions of the ocean liner, including dining, entertainment and sports facilities.
16mm. home movie collection shot by Greg Rouleau, a magician and radio man from Wisconsin.
The John and Marilyn Sanner collection contains 16mm, 8mm and Super 8mm amateur and home movie films, with two of the Super 8mm films having a magnetic soundtrack. John and Marilyn Sanner were members of the Metro Movie Club, a local amateur filmmaking club (1940s-1980s), during the later years of the organization (1972-1987). John Sanner of Deerfield, Illinois shot the majority of the films in this collection. He shot both amateur films and home movies. The home movies include footage of Deerfield High School football games and the Chicago snow blizzard of 1979. His amateur films include a behind the scenes look at a Metro Movie Club production and a short documentary about the arrival of a Vietnamese family to Deerfield by way of a refuge camp in Hong Kong. The collection also includes an 8mm amateur travelogue film shot in Havana, Cuba by W.R. James in the late 1940s and a Super 8 film of unknown origin that documents a teenage girl's social club circa 1977.
This 8mm. home movie collection documents the Sanzi family of Detroit, Michigan. The majority of the collection consists of footage from family vacations within the United States and Canada.
Charles P. Schwartz, Sr. began filming his family in 1926 after the birth of his first two children, Polly and Robert. His namesake Charles, Jr. was born in 1927. These home movies portray family vacations in Herbster, Wisconsin, (close to the Upper Peninsula of Michigan where he grew up), Lake Geneva, Wisconsin and Charlevoix, Michigan. Included is footage from his daughter's wedding in the Hyde Park neighborhood of Chicago. This collection is sponsored by Susan H. and Charles Schwartz, Jr.
The Charles Dee Sharp collection consists of five 16mm films, including a short Christmas themed narrative film, two promotional films for the Illinois Institute of Technology and two short documentary films, one about a Kibbutz in Israel titled The Kibbutz, and another about Russia after Stalin, titled The Iron Curtain Lands: The Post-Stalin Period. All films are Cameras International productions. All films are written and directed by Charles Dee Sharp, except for Symbolic Control, which is written and directed by David A. Tapper for the IIT.
This collection of home movies was shot by Paul Shreves, who grew up in the Angel Guardian Orphanage (now known as Misericordia Home North), located at 2001 W. Devon Avenue, in the Rogers Park neighborhood of Chicago. The home movies document leisure scenes from the orphanage and the surrounding area, including Halloween celebrations and picnics.
This home movie collection consists of 8mm home movies shot between the years 1944-1970. The majority of the films were shot in Chicago. The few exceptions include a visit to Stillman Valley, Illinois, a bike club trip to Beloit, Wisconsin, a honeymoon to Paris & London and a visit to a horse track. The Chicago reels depict railways, neighborhood street and stoop scenes, multiple weddings, interior domestic scenes, a funeral and soda shop interiors.
The Society of the Divine Word is an international congregation of male Catholic missionaries based in Techny, a northwest suburb of Chicago. The Society was founded in 1875 to preach in countries with insufficient or no foundation of Catholicism and to provide support to communities where the local Church is not yet viable. CFA acquired this collection in 2006 when the Robert M. Myers archives of the Society of the Divine Word deaccessioned a number of 16mm films that were not made by SDW in their collection. The collection consists predominantly of sermon films. According to the archivist at the Society of the Divine Word, these films were probably used in the classroom or for entertainment for students. It is unclear whether these works were produced in Chicago.
The Soucie Collection is comprised of 85 reels of 8mm acetate films, an issue of the Sam Campbell Special newsletter sponsored by the Chicago and North Western Railway, and the original inventories created by the filmmaker. These films are amateur travel films of classic American festivals, rituals, amusement parks, parades, Civil War re-enactments, national parks, industrial shows, railroad fairs and Native American tribal ceremonies.
Chicago Film Archives acquired this collection from the Southern Illinois University library, located in Edwardsville, Illinois. The library deaccessioned their entire 16mm film collection in 2007, and CFA selected sixty-three films from over 3,000 titles. These works span across genres, from experimental shorts to feature documentaries to educational and instructional films. The McGraw-Hill Book Company and the Encyclopedia Britannica distributed a substantial number of these films, and others are still currently in distribution by the National Film Board of Canada, California Newsreel, and Maysles Films. Highlights of this collection include works by Millie Goldsholl (another CFA collection), the documentary Coalmining Women, about the history of women in the United States Coalmining Industry, and Skater Dater, an amusing educational film assessing male rivalry and teen sexual awareness.
This collection was donated to CFA by Steven Olderr, a librarian at St. Paul’s Episcopal Parish in Riverside, Illinois. The films were left over from a white elephant sale at the church and the original owner is unknown. The collection includes Castle Film’s News Parades news reels, home movies and classic studio animations such as Popeye and Mickey Mouse.
The films in this collection were collected by Chicago area film critic and filmmaker Bill Stamets. It includes 3 films made by Chicago filmmaker Tom Palazzolo (who often collaborated with Stamets) and 6 films by Stan Brakhage. CFA does not hold any films actually made by Mr. Stamets.
The Sunquist home movie collection (16mm and S8mm) features the Sunquist family who resided in Illinois from the 1930s-80. The collection contains reels of birthdays, weddings, Christmas and other celebrations, as well as numerous reels of family holidays. In addition there is documentation of "Worth Day Parades" in Worth, Illinois, footage of the "Carl Sandburg Band", and travel films of various domestic and international destinations. Included are trips to Cheyenne, Miami, Yellowstone, Alaska, Colorado Springs, Michigan, Sweden, France, Italy and Germany.
This collection of 16mm films includes full historical shows ("Chicago 1968", "Black Power", "See How They Ran", etc.) as well as historical footage of sports, political events and other historical happenings (anti-war protests, courtroom footage, prohibition, etc.)
Chicago Film Archives has received two lots of films from the Warren Thompson Collection. The first lot consists of 2 reels of 16mm amateur films that document 35 years of citylife in Chicago and trips to Mackinac Island in Michigan shot from 1955 to 1965. In February of 2011, CFA received 21 more reels of 16mm Thompson films that document domestic and international travel from 1939 to 1981. They include footage from Japan, Hong Kong, Bangkok, the Caribbean, the St. Lawrence River, New England, the west, the Wisconsin Dells, and the Smokey Mountains. One reel is named "Fjord Mail Boat".
The Bert Van Bork Collection contains films Van Bork directed and produced while working at Encyclopedia Britannica Films (with his 1999 short documentary EYEWITNESS being the one exception to this).
The Walsh Collection was shot between 1961-1975. In addition to numerous birthday and Christmas celebrations, the collection depicts several family vacations (Detroit, Florida, Mexico, San Francisco and the Virgin Islands), a Girl Scout International Rally, a trip to Lincoln's Tomb & New Salem State Historic Park, a visit to Southern Illinois University and a 1967 Midwest snowstorm. A few experimental reels by Steven Walsh featuring stop-go animation and sailing scenes also reside in the collection.
This collection of thirty-four 16mm "physique" or erotic films were donated to Chicago Film Archives by Chicago realtor Stephen Waters in 2010, who received the films from a former client. Because these films are essentially orphaned, their provenance and custodial history can only be approximated. However, it is likely that the films would have been shown in coin-operated Panoram Jukeboxes created by the Chicago-based Mills Novelty Company in 1939, which played closed-loop 16mm silent and sound films and were placed in numerous locations including train and bus stations. Jukeboxes exhibiting adult movies or “peep shows” would most likely have been found in penny arcades that were prominent in the Illinois Central Railway Station at the time. Some of the films may have also been distributed on the home-projection market. The films feature nude or barely clothed women and range from bedroom and interior scenes or created sets where these women undress in a variety of scenarios, to a series of films where the women model poses that are supposedly made for artists to study the human figure.
This collection contains the home movies of the Wilczynski family. They lived on the south side of Chicago and ran a bakery. Some of the highlights of the collection are the Bahai Temple in Wilmette, IL, Chicago's Riverview amusement park, the Chicago Flower and Garden show, family weddings, Niagra Falls, and 1952 Chicago subway scenes.
This home movie collection was donated by the Wilmette Historical Museum in 2009 and documents the Grove Family from this northern suburb. The four reels were shot by Axel Grove between 1959-1963 and include footage of the Brookfield Zoo, O’Hare International Airport, the Morton Arboretum, Adventure Island Amusement Park, a trip to Wilmette’s beaches, a child’s tennis lesson and a very entertaining living room puppet show.
The Russell V. Zahn Collection contains 38 reels of 8mm film chronicling the many birthdays, Christmases, and family outings between the years of 1935 and 1946 -- primarily in and around the family's Wisconsin home. Highlights of this collection include the 1933 Chicago World's Fair, a trip to Sturgeon Bay, and some very entertaining backyard dance performances.