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Morton & Millie Goldsholl ran Goldsholl Design & Film Associates, one of Chicago’s leading graphic design studios in the 1950s through 1970s. The studio became recognized for their animations, progressive hiring practices and developing corporate branding packages for various companies. Their collection, donated to CFA in 2006 and 2010, contains commercials and industrial films that Goldsholl Associates made for their clients, experimental films and animations made by both Morton and Millie, unedited travel films shot by Morton and Millie and films (primarily animated) that the two collected over the years.
Identifier: F.2018-03-0021
Filmmaker: Dame, John
Identifier: F.2018-03-0029
Filmmaker: Dame, John
Identifier: F.2018-03-0026
Filmmaker: Dame, John
Identifier: F.2018-03-0025
Filmmaker: Dame, John
Identifier: F.2018-03-0002
Filmmaker: Dame, John
Identifier: F.2010-01-0285
Creator: Goldsholl, Morton, Goldsholl, Millie
Filmmaker: Goldsholl, Millie, Goldsholl, Morton
Identifier: F.2011-05-0044
The Kinnally collection consists of 16 reels of silent and sound super 8mm and silent 8mm films made and distributed by Chicago filmmaker Tim Kinally. They depict various air shows and re-enactments involving vintage planes and bombers. Included in the collection is a film called Liberators Over Europe: The Crossing of the Rhine March 24, 1945, which appears to be a re-enactment of a wartime crossing of the 44th Bomb Group of the 2nd Air Division of the 8th Airforce and their B-24 Bombers. These air shows take place throughout the United States. Also included in this collection are a number of promotional pamplets and flyers for Timkin Films, located in Tinley Park, and founded by Tim Kinally.
The Camille Cook Collection consists of outtakes, work prints, original negatives, collected films, home movies, and edited diary films of the experimental and personal work of Camille Cook, filmmaker and founder of The Film Center of the School of the Art Institute of Chicago (now The Gene Siskel Film Center). The films depict various aspects of Cook’s life in Chicago throughout the mid 1960s, ranging from images of city street life to moments with her friends and family in Western Springs, IL, as well as her experiments in structural filmmaking.